“This Brainfeeder release flew pretty far under the radar thanks in large part to The Epic, Kamasi Washington’s sprawling jazz opus, but Flying Lotus’s label kept pushing even after all the accolades. Kneebody and Daedalus are so well integrated that it’s hard to hear where one stops and the other begins, but I guess that’s the point. Some pieces sound like continuations of 2013’s The Line, but that will never be a bad thing for one of the most creative quintets on the planet. Nate Wood and Shane Endsley are in particularly good form here, and the project’s synergy ends up sounding eerily like In A Silent Way on Ray Kurzweil’s home stereo.”

To read the full article click here